Some articles and reviews about the Computer Art Congress 2016 [CAC.5]:
After the excellent scientific sessions and Bernard Stiegler’s talk, we improvised a very small reception to discover the artistic exhibition of CAC.5.
We are glad to let you know that the book of proceedings has been printed and delivered right on schedule.
A complimentary copy is offered at the venue to registered authors, artists and members of the scientific committee. (One copy per person for any case).
See you next week.
As the congress is getting closer, participants have been asking for suggestions for staying in Paris.
We didn’t make any arrangements with hotels. Sorry. However, we‘d suggest AirBnB or any place near Line 12 of Parisian metro.
The surroundings of the venue would be certainly more affordable, but it is really quiet and not very interesting at night.
Our opinion is to prefer somewhere around Line 12 metro stations:
If you haven’t done so, you can check the plan of Line 12:
Right now we are busy preparing the book of proceedings, that will be sent to print these days. Thanks to all authors and artists. It has fantastic contributions. Authors and committee members benefit of a complimentary copy.
Lev Manovich has announced the title of his keynote talk to be addressed at CAC.5 on Friday 28th Oct.:
“Mapping global digital art”
In the meantime, you might want to check some of Dr. Manovich’s recent work and news:
We have opened the registration form to authors, artists and public in general.
The fee for authors cover publication in the book of proceedings, coffee breaks, and congress activities. We are working hard to get ready and offer a complimentary printed copy of the book to registered authors (some copies will also be available for sale during the congress).
As you may note, general public is granted free access, but registration is mandatory. This is because we have to provide a list of assistants to the MSH, for security reasons and because places are limited.
Follow the link for further information:
Bernard Stiegler announces the title of this keynote address on Wednesday October 26th:
“There is no immateriality. The function of arts in the process of exosomatisation”
In the meantime, you might be interested about his new book “Dans la disruption” and other recent material:
Last month we sent submission reviews to authors. We received 80 submissions but unfortunately we could not accept all of them.
Here is the list of accepted papers and artworks to be presented at CAC.5.. and to be published in the book of proceedings (please remember August 1st is the deadline for sending the final paper).
Thanks to everybody for your participation: artists, authors, reviewers, readers, friends, committee members!
|A. Bill Miller||phantoms 2|
|A. Bill Miller and Jeremy Behreandt||Movement Systems from Motion Capture Data|
|Alan Dunning||First Words Last Acts|
|Alessio Chierico||Art and materiality in post-media practice: toward an ontology of digital and its devices|
|Alexandre Michaan and Nina van Doren||Archiving, documenting and emulating the collection of CD-ROM artworks from LIMA, Amsterdam|
|Andrea Sosa||Projected Illusions: Space, LIght and Coordinates.|
|Andrea Sosa||At angle C: instability poetics. Participation aesthetics through the work of Julio Le Parc and the Groupe de Recherche d’Art Visuel (GRAV)|
|Andrés Burbano and Esteban Garcia Bravo||Konrad Zuse: Enabler of Computational Arts|
|Annet Dekker||What We Talk About When We Talk About Online Cultures|
|Chiara Passa||Dimensioning n1|
|Christa Sommerer and Laurent Mignonneau||A personal media art archive based on the symbol of the fly|
|Conor McGarrigle||Preserving born digital data-art: lessons from artists’ practice|
|Conor McGarrigle||24 Hour Social|
|Daniel Buzzo||What Do We Know Of Time When All We Can Know For Real Is Now?|
|Daniela de Paulis||OPTICKS and Visual Moonbounce|
|Federico Garrido||Central floorplans and digital design strategies|
|Gabriel Pareyon||Patterns of Materiality/Immateriality: Dialectics in Epistemology under the New Scientific Paradigm|
|Gabriela Aceves Sepulveda||Remediating Mamá Pina’s Cookbook|
|Gemma Arguello Manresa||Geographical imagination. Constructing Imaginary Spaces in Computer-based Art.|
|Gerry Kisil and Alan Dunning||Mirages de Villes|
|Gwen Le Cor||The “plastic power” of digital textures|
|Jung E Choi||A Critical Spatial Practice: Rediscovering Depth in 21st-century Media Art|
|Kevin Badni||Perceptions of interactive art latency|
|Luba Diduch||The Expanding Artwork|
|Luz Maria Sanchez||Vis. (un)necessary force|
|Maciej Ozog||Your Body is You: new media art as a critical analysis of biometric surveillance|
|Marc Veyrat, Frank Soudan||FFF|
|Maria Giulia Dondero||Using Images to Analyze Images. Semiotics meets Cultural Analytics|
|Maria Luiza Fragoso||We Bees: an immersive telematic object from project S.H.A.S.T.|
|Melanie Hundley and Teri Holbrook||Composing the Future: Teachers and the Materiality of Cultivating Young Digital Creatives|
|Mez Breeze||“T[he]Issue”: A Geospatial and Mixed-Locative Colonisation Document.|
|Pilar Rosado Rodrigo||LETTING IMAGES SPEAK FOR THEMSELVES|
|Reynaldo Thompson, Tirtha Mukhopadhyay and Frank Dufour||Archiving Digital Art in Latin America. Digital Art Archive and Retrieving Materiality|
|Ricardo Dal Farra||Memory’s death… or the desire of immortality.|
|Ricardo Dal Farra||ORGANIC|
|Sandra Alvaro Sanchez||Art and Data: the aesthetic emergence of knowledge|
|Shelley Hornstein||Beyond Place: Monuments and Museums after the Intangible Turn|
|Shiqing He||Coding A Coloring Book: Coloring Scribbling-Style Drawings Using Python|
|Shulea Cheang||Composting the net|
|Thomas Storey||Quick & Easy Recipes for Disaster|
|Vanina Hofman and Pau Alsina||Performative materiality in media arts preservation: an approach through divergent practices.|
Right on schedule, we sent yesterday decisions on evaluations. It was a very difficult to select papers and artworks. Unfortunately time and space do not allow us to go further than we can. If you have been accepted, please follow the next steps and hope to see you soon in Paris. http://www.computer-art-congress.org/index.php/submission/